powmac The Power of Religion and Fate in Macbeth Essay -- Macbeth essa

The Power of Religion and Fate in Macbeth Macbeth presents a unearthly view of mans existence and destiny. Shakespeare, however, did not write a phantasmal or theological tract. He explored the meaning of kind-hearted life in those harm which art uses in order to project our deepest thoughts and feelings in broad, popular religious symbols and myths, whose meaning is as profound as it is easily recognized. The unparalleled religious crisis, through which Europe was passing at the time of Shakespeare writing Macbeth, the graduation decade of the seventeenth century, shook the traditional religious heritage to its foundations. laid between an Everyman and a Pilgrims Progress Macbeth did not have the simple uncloudedness of either the former was written before the phase of violent decay and the latter when more settled ideas had begun to consolidate themselves. We do not analyse the fluency of construction in Macbeth as we see in Everyman or Pilgrims Progress. Bu t the religious, Christian view is intensely there to determine the personality of imagery and the significance of characters. The human problem that is the basic idea of Macbeth is the sex act between evil in human nature called sin and the unremitting scheme of things presided over by a Deity whose justice, wisdom and benefaction could be doubted temporarily but never rejected. More abstractly, the problem was that of human responsibility and free will, human freedom, in a world govern by divine necessity. Macbeth begins with a set of supernatural figures. Witches have been ceaselessly associated with darkness, night and crime. capital of Minnesota, in Samuel (1), visits the Witch of Endor in order to know his destiny. Saul himself had taken seve... ...moil in Act I shows the process of perversion of priming coat and corruption of will. He knows the good but will not and cannot do it and there is no intercessory power for him to turn to for aid His incapacity to implore in the soliloquy in Act I, the intervention by his married woman (instead of by a good angel) just when he decides not to prevent further, the promptness with which the fantasy of the deed forms itself in his mind after he hears the prophecy-all these testify that Macbeth is a reprobate predestined to damnation. Works Cited Macbeth. New York Arden adaptation (New Series) Bindoff,S.T. Sr Tudor England, Pelican Books.1959 Dyer, T. Folklore of Shakespeare. Griffith & FarrenLondon,1883 (First Edition) Elliott,G.R. Dramatic Providence in Shakespeare. Princeton University Press, 1958 (out-of-print Title)