An anonymous causality wrote, In literature, evil often triumphs, provided never conquers. Any good story needs a conflict, and through unwrap history, the most basic literary struggle has been among forces of good and evil. final victory for the forces of good becomes that much more(prenominal) effective when it has had to vote down smaller victories for the opposing, evil forces. Evil may clear the participation from time to time, but good leave alone always win the war. However, many hold outs of literature constitute the final triumph of evil over good. Just as in real life, the good guys dont always win; in fact, well-nigh of our greatest works of literature make far stronger and more effective thematic points by having the forces of evil win out over good in the end, even afterwards starring(p) the reader to believe that good will last prevail. An author can use such a work as a cautionary tale, as a reprehension of a grim or uncomfortable reality, or hardl y to astonishment the audience. Two such examples of this literary abnormality atomic hail 18 Charles heller classic novel, A recital of Two Cities, and George Orwells 1984. In A Tale of Two Cities, set during the French Revolution, Charles Dickens depicts how pointless the tumult becomes when the original goal of equality becomes disconnected when the anger, frustration, and desire for retaliate of the third estate is finally discharged.
Initially, the members of the upper, belief class were the ones comprehend as evil, maintaining their societal positions through a system of concern and repression. However, as th e revolution progressed and power was shifte! d onto the set down classes, they too handle their upper hand, committing evilly heinous and inhuman punishments and executions, illustrating yet some other common theme of the corruption of an innately good respective(prenominal) once in power. Madame DeFarge, If you want to notice a just essay, order it on our website: OrderCustomPaper.com
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