In Francis Ford Coppolas Apocalypse Now, a band of soldiers take their helicopters entirely over a depressed Vietnamese small town, and the blaring t mavins of Wagners melodious alternate tantalise of the Valkyries comes on. In short, Coppolas objective was to associate Wagners contact with the Nazis and Americas cheating(prenominal) involvement in the Vietnam War. Wagner was precise star of the great composers, up to now his ties and support of the Nazis real dye his career as we cheeking at back upon him, and his music is associated with the Nazis, no(prenominal) more so than jump on of the Valkyries, which, with its harsh, moving tones, conjures the image of a meticulous army handle in sync. Clearly, Coppola is trying to intercommunicate that America, in launching these attacks on Vietnam, is being imperialistic and in like manner nationalistic, as the bravado and hubris is genuinely overblown by Wagners piece. Antonin Dvoraks philharmonic from a New trough would fit very swell Edwark Zwicks film The Last Samurai. maitre d Nathan Algren, an American, is move to Japan to train military personnel, only when it later captured by samurai. He is living with a family that cannot say his language, and he is truly lost. He is confused, and longs for a means of escape.
eventually however, he fall in love with the culture and also befriends his host, Taka, the young Japanese wife of a man Algren killed. In the end, they see for for all(prenominal) one one other as very close, and Algren fills the role of the father. However, one day, Algren must(prenominal) leave, along with samurai, to battle the troops he had partially trained. He is not killed and is separated from the village for several months However, in a beautiful scene at the end, Algren returns to the village, and he and Taka see each other once again. In this scene as... If you want to look at a practiced essay, order it on our website:
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